Unravelling
By Elizabeth Graver (298 pages)
Published by Hyperion
Bookish rating: 4.75
I love it when I finish a book by an author I've never before read, utterly stoked to know there are OTHER books out there by this SAME author that will likely bring me reading joy. It's a happy feeling.
Unravelling has been around for awhile, so I'm late to the party on this one. Set in the 1800s in New Hampshire and Lowell, Massachusetts (the "City of Spindles" where so many young women worked in factories), Aimee is a complicated soul with complicated relationships. She wants to experience everything she can.
Graver's writing is amazing. She turns phrases just so, evokes moods, and gives Aimee an incredible voice. The richness of the language plus the various angles from which she gets to mother-daughter relationships, love, and grief.
Absolutely recommended.
Sunday, May 25, 2014
Thursday, May 22, 2014
The Bones of Plenty
The Bones of Plenty
By Lois Phillips Hudson (435 pages)
Published by Little, Brown
Bookish rating: 4.25
My copy of this novel has a disintegrating dust cover that I had to toss and the musty smell of a first-edition book published more than 50 years ago. I liked that about this book.
Set in what I believe is a mythical town (Eureka, North Dakota--the only Eureka I know of is in South Dakota, near the North Dakota border) during the 1930s, we follow the trials and tribulations of a family trying to keep the farm. Dust, family dynamics, WEATHER, and lack of money--this book has everything you'd expect from a Depression-era novel. But it's actually quite remarkable and so . . . unknown. In a different book, I read a fleeting mention of The Bones of Plenty, which bemoaned its obscurity and argued that Hudson's work could stand up against, if not surpass, Steinbeck's Grapes of Wrath. I think I agree.
Hudson focuses a lot of attention on the government mishandling of wheat prices, and tirades via the head-of-the-household farmer get a little long-winded and repetitive. And there is too much emphasis on italics for emphasis. But on the whole, these are minor issues.
Hudson expertly digs into what makes these people tick, their insecurities, their disappointments. The wife's juggling of babies with farm work is brilliant, and her frustration with her crankball husband even more so. The daughter is heartbreakingly real. And Dad? Well. He's something of a dick, but ultimately redeemable. The complexity of family during the context of Dakota, wheat-growing, and the Depression that Hudson portrays is astounding---I see bits and pieces of these people and their ways in my people, descended and descended and descended. As I've always said, a complex people who want nothing more than to be simple. Oh, who doesn't love a good paradox?
By Lois Phillips Hudson (435 pages)
Published by Little, Brown
Bookish rating: 4.25
My copy of this novel has a disintegrating dust cover that I had to toss and the musty smell of a first-edition book published more than 50 years ago. I liked that about this book.
Set in what I believe is a mythical town (Eureka, North Dakota--the only Eureka I know of is in South Dakota, near the North Dakota border) during the 1930s, we follow the trials and tribulations of a family trying to keep the farm. Dust, family dynamics, WEATHER, and lack of money--this book has everything you'd expect from a Depression-era novel. But it's actually quite remarkable and so . . . unknown. In a different book, I read a fleeting mention of The Bones of Plenty, which bemoaned its obscurity and argued that Hudson's work could stand up against, if not surpass, Steinbeck's Grapes of Wrath. I think I agree.
Hudson focuses a lot of attention on the government mishandling of wheat prices, and tirades via the head-of-the-household farmer get a little long-winded and repetitive. And there is too much emphasis on italics for emphasis. But on the whole, these are minor issues.
Hudson expertly digs into what makes these people tick, their insecurities, their disappointments. The wife's juggling of babies with farm work is brilliant, and her frustration with her crankball husband even more so. The daughter is heartbreakingly real. And Dad? Well. He's something of a dick, but ultimately redeemable. The complexity of family during the context of Dakota, wheat-growing, and the Depression that Hudson portrays is astounding---I see bits and pieces of these people and their ways in my people, descended and descended and descended. As I've always said, a complex people who want nothing more than to be simple. Oh, who doesn't love a good paradox?
Thursday, May 15, 2014
Where'd You Go, Bernadette?
Where'd You Go, Bernadette
By Maria Semple (335 pages)
Published by Little, Brown and Company
Bookish rating: 4
My, what a darling little Seattle-centric book this was. Told from various perspectives, often including HILARIOUS emails, Semple skewers the Microsoft folk while also rather tenderly portraying mother-daughter relationships, loss of talent, the aimlessness that can follow motherhood, and even father-daughter relationships. And lots of other stuff, now that I think about it.
And it's an effing hoot. I laughed. Often.
The premise is a tad mish-mashed, but essentially Bernadette, the madre, disappears after the private school, mean-girls-all-grown-up mother hens push her over the mental edge. Semple's writing is subtly witty and just plain fun. After I finished the book, the more I thought about it, the more I realized I was rather charmed by the novel. Recommended.
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