Thursday, May 16, 2013

A Gate at the Stairs






A Gate at the Stairs
By Lorrie Moore (322 pages)
Published by Knopf
Bookish rating: 4.25

Other reviews of A Gate at the Stairs have blasted it for its plotting, mostly pointing to lack of a clear destination. To them, I say this: [Lorelei's raspberry-blowing sound].

I can't discuss much of the plot without spoilers, but a central aspect concerns Tassie, a college student who nannies for a family who adopted a mixed-race toddler. We see the adoptive mother, Sarah, through Tassie's eyes, and she is fabulously capable yet insecure yet crazy yet likable. She's utterly believable and unlike any other character I've read before. I loved her, though most readers probably couldn't stand her.

The prose is incredibly, understatedly witty. Tassie has the endearing voice of an over-eager college student. She's sincere and naive while also a smidge too smart for her own good. I loved her, too.

Now, the book contains A LOT, and the lit student in me feels compelled to write papers on it, so you all can see how very good this book is. One hilarious subplot involves neighborhood meetings for parents of "children of color," which are done entirely through dialogue (with no identifiers of who is speaking), and it's so brilliantly done, I could hardly stand it. These folks expound, self-consicously, on post-racism and politics while their spouses take jabs here and there. It's just so human.

Which leads me to why I think this novel really, really works: Moore's depiction of events--which are, sure, a little jumbled--all have Tassie in common, but she's not really the central character of any of them, though she is affected. Moore conveys a startlingly poignant sense of how lived experience cobbles together who you are and why you see the world a certain way.

Recommended, if you can handle reading a book that's not constructed like a supermarket paperback.

Tuesday, May 7, 2013

The World Before Her



The World Before Her
By Deborah Weisgall (288 pages)
Published by Houghton Mifflin Harcourt
Bookish rating: 4

Set (mostly) in Venice in 1880, an aging Marian Evans (who wrote as George Eliot) is a newlywed after her unconventional earlier life. Her husband is 20 years younger . . . and kind of a douche.

In a parallel story 100 years later (so, 1980), Caroline--entirely fictional, unlike George Eliot/Marian--is married to her own douche canoe, only this time she is the one 20 years younger.

Both women have mixed, mostly meh feelings about their marriages, artistic progress (Marian: writing, Caroline: sculpture), and general discontent. At times, their ho-hum feelings toward their own lives reads a little . . . affected. A tad (and needlessly) theatrical or dramatic, which made me a little impatient at times. I type this while quite aware of the lens through which I was reading the novel--at the time, I was juggling a demanding full-time job, sick children, my own (two) stomach viruses, and a traveling husband. So, I often wanted to shout, OH GOOD LORD, WHO HAS THE TIME TO ANALYZE THE INTENTION BEHIND A HUSBAND BUYING A PIECE OF JEWELRY FOR 3 WEEKS AND THEN JUST SIT AROUND FEELING MELANCHOLY ABOUT IT?!

I finished the book during the final week in April that my life was not (total) chaos, and I was better able to appreciate the language and style (very lovely and effective) and the complexity of Marian and Caroline.

Recommended for George Eliot fans. Or literature fans.